We went to Tate Liverpool yesterday to see the Klimt exhibition. As someone who works part of the week in an art gallery, you might consider this to be a bit of a busman's holiday, but I was looking forward to it, partly because my partner really likes Klimt's work and partly because I had it in my head that The Kiss was in the exhibition.
No such luck. No Kiss. And a relatively small proportion of Klimt. It was as much about the Viennese Succession (one of those inevitable breakaway artists' groups - usually that have broken away from an earlier breakaway group [much like most branches of Christianity, come to think of it]) and design around the turn of the 20th century. I was actually quite disappointed by it. There was a Klimt lake scene I enjoyed, and a couple of quite stunning portraits which really depicted the essence of the sitters, but otherwise it was... well, a bit dull. Sadly, it kind of confirms my suspicion that paid exhibitions often aren't worth the money you spend on them.
Before I sound like too much of a grumpy old man, I should point out that I really enjoyed the two floors of 20th century art. I was especially pleased to see an Yves Klein blue (IKB79) which I'd last seen in the Tate Modern a few years back, as well as Jackson Pollocks, a Craig-Martin and a whole range of other imaginative work.
And before anyone suggests that yesterday was a 'culture vulture' day, I should point out that in the morning we took my friends' two boys to see Wall-E (the film was fine, if possibly more adult in some respects than I'd imagined - the queueing for 25 minutes to get tickets not so great) and we had lunch at Debenhams in Liverpool (it was nearby and we were hungry - nice deli sandwiches, worst mocha I've ever drunk [all the chocolate syrup glooped at the bottom]).
Leak update: the handyman is bemused by its continuing presence, so we've now (at his request) removed the halogen light until he can come and have a look. It, for some unknown reason, now only drips every other day after we've showered...
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